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El Puchero del Hortelano and the sticker close the Sea of ​​Music (24/07/2015)

Mestizo rhythms to the closure of the Sea of Music, and check the festival closing its 21st edition on Saturday July 25 with the end of El Puchero del Hortelano scenarios and birthday sticker, celebrating its 12 years on stage.

Also complete the poster Gepe last day, one of the introducers of Chilean pop in Spain, pascuala ilabaca with his tribute to Violeta Parra and Raúl Rodríguez presenting his latest album Reason Son. Hereby entries.

The group El Puchero del Hortelano closes a path fifteen year career.

The initiative of a group of students of music education in the nineties were looking for a project that would give them creative freedom, he became El Puchero del Hortelano, a consolidated band has announced his retirement from the stage.

His blend of aromas of pop, flamenco, rock, rumba and funk, which gave way to edit six studio albums and one live, has offered songs that are already part of the collective song as serious matters, Thou art that, There are days or the version I want to die ... and long tours of the Spanish state, Europe and Latin America.

The way to El Puchero del Hortelano has always been up and just when they are at the top of his career is when they decided to put an end to this project that has given so much joy.

After the group Granada, will be the turn of the Catalan The sticker, coming to present his latest album Revulsiú and celebrate its 12 year history.

His festive music and energy make the connection with the audience is all from the zero, putting the enclosures by passing upside down.

Filled halls and festivals throughout Europe.

They have taken off in Spain with public acclaim and sales.

But his crazy concerts pure indulgence and dance have become famous.

Road 900 concerts and five albums behind them, the sticker is considered the most international Catalan group today.

The history of the group, always upward, has led them to four continents and about them, increasingly, a thousand concerts.

And all this thanks to direct a show and adrenalin 100 percent danceable, hard to forget.

It is no secret to anyone that the independent music of Latin America is a great moment.

Led by Chile (Sweden considered the other side of the Atlantic), thanks to a new generation of pop musicians who made an idiosyncratic expression feature, the Pan American indie tuned, balanced and unified an entire continent from the same expression.

It is an artistic phenomenon comparable only with the rise of cumbia in the sixties.

It was, along with Javiera Mena, the new name entered the Chilean pop in Spain.

With four albums under their belts, he continues to climb positions in this openness that began in the neofolk and electropop and could now be close to a kind of pop-emo-Andean, own label coined by Daniel Riveros in honor of his latest album, GP.

In his native Chile, Gepe, he was associated first with the resurgence of the new Chilean song by artists such as Manuel Garcia and Camila Moreno, who came pulling traditional sounds and the new Chilean song of the late sixties, a proposal for renewal folk through pop.

Internationally it came, however, with the boom electropop, especially from Audiovisión delicate sound collection devices with earthy smell that, along with Javiera Mena, put Chile in the sight of new trends in Latin America.

Neofolk labels and electropop still sound right and even apply for his latest GP, their fourth album.

His music defines itself as a kind of great colorist tailor drawer with room for different referents of Latin root: the folk and electronics merge with Andean kindly, cumbia and reggaeton to sounds.

And of course, an open pop wrapper that allows you to filter the range of influences in pure form.

Gepe already has a good legion of fans on this side of the Atlantic. Reason Son is the first solo musician and anthropologist Raul Rodriguez, the fruit of two decades of searching and dedication in the service of the Flemish and mestizo music.

New tunes that are in the land of imaginary folklore: a music that belongs to the trip, the outward and return journeys, the sea compass which share the dances of both Atlantic shores.

This project started last summer in the Etnosur festival and was described by the artist's mother (Martyrdom) as the end of a tour.

One of the crucial moments in the life of Raul Rodriguez was the first time he played in public the Cuban tres on the legendary Compay Segundo.

It was in the late twentieth century and even then the essential instrument of Cuban son musicians sounded flamenco in his hands.

It was the beginning of a sound adventure that materialized in the group Son de la Frontera (2004-2008).

Raul had joined the group of Kiko Veneno and began producing the mother who bore him.

After you find the luthier built a three flamenco and sought connections from studying cultural anthropology and, more importantly, from the intuition and logic of the rock.

There two characters, again crucial, Santiago Auserón site that makes it as guitar hero in his band, and Chavela Vargas, who offers his shamanic knowledge appear.

Nevertheless, some things, Raul has left her voice at age 40 and has made ​​the book-disk ratio are.

The quality of this ratio are is that it combines psychedelic powers of the Guayabero with the instinct of Hendrix and Morente.

And you do not know, is not documented or not there you ... you invent: With guitar in white / and Callao / paper I'm looking for a song / that has never been cantao.

Raúl assumes that the music flows in his band has multiple related but that is essentially new, I do not know what is what we're playing.

I listen and wonder: What is this?

It's wonderful to create a place of discovery.

Put yourself in a place you do not know if it is an old genre or being built new music.

one goes behind the music.

Pascuala ilabaca is unique to sweeten everything sings are his own compositions and interpretations of other artists.

With his voice sweetens everything and becomes honey.

It is one of the youngest songwriters to emerge in recent years, collecting folk heritage always Violeta Parra, conquering the audience with his accordion and his melodies, honoring the Mapuche and returning to the roots of Chilean music.

Pascuala ilabaca became interested in music from a young age.

He studied at the Pontifical University in his hometown, but he understood that it had separated from the overly strict rules imposed upon him by his teachers.

In his recording debut Pascuala sings Violetta (2008), full of songs based on the Chilean folklore, a Hindu table and electric guitars was incorporated. Pascuala sings Violetta was a tribute to Violeta Parra, his inspiration, and an exercise recovery of traditional sounds of his country.

This convinced the then president of Chile, Michelle Bachelet, to invite her to the tour made by India, a country where pascuala ilabaca had lived as a child.

It come to the festival to remember the great figure of Violeta Parra and no one could do it better than who says Violeta Parra is my patron saint.

Source: Ayuntamiento de Cartagena

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