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The prestigious magazine Cahiers du Cinema published in its June issue a special on the film series of the festival La Mar de Músicas (12/06/2009)

Return the magazine Cahiers du Cinema in Spain to launch a special issue of the film section of The Sea Music.

A number that comes with your magazine published June, and where there is criticism, comment, interviews with the films that come to the film series by Joaquin Canovas for the festival.

The awakening and vitality that is having the Moroccan cinema in recent years is reflected in this special supplement on The Sea Film.

Moroccan cinema, a great unknown to the Spanish public, through a new period in its young history.

Industry professionals welcomed in 2008 the 50 anniversary of the first movie made by a Moroccan (The boy cursed, Mohamed Ousfour) and in 2009 called unprecedented enthusiasm to the latest releases that raise controversy, completely filled the halls and cause the reaction of parliamentarians.

With the cycle that is scheduled to Film The Sea is his most recent review in which diversity is evident, their involvement in civil society and its new aesthetic approaches.

The exhibition is complemented by various Spanish-Moroccan co-productions in recent years.

In the words of Carlos F.

Crown, director of Cahiers du Cinema Spain: "The contemporary Moroccan cinema and lived for some years an awakening and a vitality that has been placed in one of the leaders in the Arab production and allows champion, legitimately, the set of films from the Maghreb.

It is no coincidence, then, that the Festival La Mar de Musicas Cartagena this year aims to provide a snapshot of the state of things on screen in our neighboring country. "

Crown also states that "The Sea of Music in attempts to rescue her cycle as representative of the Moroccan production in recent years and that throws the Spanish production itself when the eyes of some of its directors is directed toward people, scenarios and social crossroads of the neighboring country. "

As the director of Cahiers du Cinema: "Is this, then, an excellent opportunity to look in the mirror each other to get to know best cinema made in our immediate south and get into the plural aesthetic and thematic currents running through Moroccan cinema today.

A stirring film, do not forget, against the standardization and homogeneity against enforced against any attempt to drive amordarzarlo and against any accommodation.

Some vectors which should also pass the Spanish cinema, as one and others are forced to seek answers, not condescending, to today's challenges.

Cahiers du Cinema magazine is a myth, that in the fifties gave birth to the thought that he turned to our understanding of film, which at the dawn of the sixties, sponsored the emergence of modernity under the nouvelle vague, that in the decade fed seventies fervor structuralist debate, and that is essential reference for younger moviegoers, inevitable for programming oracle toe of the Cannes festival and a source of new disputes.

CINEMA

CONTEMPORARY MOROCCAN CINEMA

EARRINGS LES DU COEUR (The Heart Thorns), Hicham Ayouch

THE LONG JOURNEY IsmaÃ«l Ferroukhi

MOSHE OU VAS-TU?

(Where are you going Moshe?), Hassan Benjelloun

COEUR BRULE LES (Burned Hearts), Ahmed El Maanouni

LES ANGES DE SATAN (Satan's Angels), Ahmed Boulane

ALI ZAOA.

PRINCE OF CASABLANCA Nabil Ayouch

WHATEVER LOLA WANTS Nabil Ayouch

WHAT A WONDERFUL WORLD (What a wonderful world), Faouzi BensaÃ¯di