Portal de Cartagena
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With only 25,000 euros to prepare and an easel for decoration, do function premiered in the winter malicious Lara put six players in Search of an Author "Pirandello to 'have a future' uncertain 'but has been so successful that continued to be performed in Spanish and has now come for a tour of Spain.
Tour makes a stop tomorrow, Wednesday December 1 at the Nuevo Teatro Circo Cartagena, at 21:30 hours, in the programming of the Department of Culture of the City of Cartagena.
Tickets are 18 and 15 Euros.
The function do is a 'discovery' of Kamikaze productions, namely 'suicide' Arc and Aitor Miguel Tejada, who found in Six Characters in Search of an Author, by Luigi Pirandello, the argument that inspired 'freest' and Israel Elejalde, Bárbara Lennie, Miriam Montilla, Manuela Paso, Raúl Prieto and Christopher Smith's passion for interpreting it.
They met five intense weeks for four hours a day, that is, half the usual tests, but everything that allowed her busy work schedule, and made three representations to those invited to the profession.
Risked and triumphed.
In one of those public trials, Ayanta Barilli, actress and director of Lara, given the opportunity to represent Friday, Saturday and Sunday at twelve o'clock in the hall and they delighted with the idea that, if, as barruntab thing ', there was nobody to see them, they would' cane '.
Constipation and, shortly thereafter, thanks largely to 'word of mouth', the total was filled night after night.
So successful that there Villarroel went to Barcelona, then by the Spanish, until 16 May, and then are going on tour until January 2011.
The work is a very free adaptation of Pirandello's text, but led by a company of twenty-first century in a XXI century drama is interrupted by four characters written by an author who has failed to develop their story and they sat in the audience, claim their place.
Remains sex, family and truculence, but in a family of twenty-first century.
All that counts Pirandello, the great message, is intact and breaks the fourth wall but there are parts from scratch.
The purpose of Miguel de Arco was that the public felt concerned and raise the discomfort that makes getting into the story ends.
Never know what will be the public's reaction and it can happen that one day they do not stop laughing, as if it were a farce, and another to mourn, as in a wake, but it is not a show La Cubana, ie , do not involve the spectators, but seeking their emotional involvement.
Here are four fictional beings who break embodied in a trial but in the representation of a part that faces a painter and his girlfriend, four children with the passions to boiling point, two brothers with their partners, the more retained a relationship with the woman in the small, new mother of a child's first wife in his arms tightened since his death.
Everyone flies the edge of their drives as a weapon and / or as a shield.
The greatest suffering to revisit obligate the drama, his wife is a ghost torn maternity, the younger brother seems emblematic of the leak and the anger, and this young couple eager to repeat the mixture of pleasure and pain that is their part history.
The two actors react offended interrupted work first and stakeholders, subdued, shocked later.
Del Arco and Tejada have developed a masterful reinterpretation and updating of a key text of universal theater: they preserve and revitalize the backbone of the function have pruned some rhetorical excesses, outlined the fundamental core, coated in humor and part of the metatheatrical left free of redundancies that Conceptal subtle game between the true, real and represented.
Miguel del Arco printed representation electric pace and six players will respond fiercely tuned instruments.
Israel Elejalde kept in painful suspense containment older brother, Manuela Paso tragedy sums up his mother in a chilling cry and the tears of a woman numb with fright, Raúl Prieto little brother plays with his eyes sewn danger and fury dancing in every gesture, Barbara Lennie braid natural and true to display a sensual greed without shame or remorse, Christopher Smith knows how to look at these characters that have shredded their role and also affected pertulancia fascination with swarming material before it, Miriam Montilla and served with strong irony angry and acerbic actress portraying the tics of his profession.
Source: Mar de Músicas
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