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The exhibition'These Big Unknowns' of Between Strings and Metals moves to the Regional Assembly (26/03/2019)

On the occasion of Women's Day, celebrated on March 8, the contest Between Strings and Metals presented the exhibition 'Those great strangers', organized by the Councilors of Youth and Equality of the City of Cartagena and the Conservatory of Music of Cartagena, that has been exhibited in the El Batel Auditorium until this Sunday, the 24th and that now moves to the Regional Assembly of Murcia.

The inauguration will take place this Wednesday, March 27 at 7:30 p.m. and will be open until April 9 from Monday to Friday, from 9:00 a.m. to 2:00 p.m.

After the inauguration and also in the Assembly, Eduardo Molero will present his lecture 'The great oblivion: Women and Women in Music' at 8:00 pm, where the questions posed by the exhibition will be addressed: How many composers do you know? How many works written by women have you heard?

o Do you know what the role of women in music has been?

'Those great strangers' reveals the life of 15 great women composers.

We made a historical journey from the Middle Ages to the postromanticism remembering those women who were key in the history of music, who apart from interpreters, although historians have traditionally ignored them, have also been composers.

Conference 'The great oblivion: Women and Women in Music'.

About the Author

Eduardo Molero Illán is in possession of the Superior Degrees of Music in the specialties of Musicology and Clarinet, the Master of Music (Clarinet) by Codarts-University for the Arts of Rotterdam, and the Master's Degree in Musicology by the University of La Rioja.

As a clarinetist, he has performed in audiences of European geography as a soloist and as a member of chamber music and orchestral groups under the direction of Yannick Nézet-Séguin, Lutz Kohler, James MacMillan and Charles Neidich.

In the musicological field, he has developed several investigations related to clarinet and opera;

his research includes A clarinet for Bartók and Bernaola, and Creative process and interpretative practice in seventeenth-century opera, currently being published in the Italian musicological magazine "Il Saggiatore Musicale".

He has also lectured in the Netherlands and Spain, and has written notes to the program for institutions such as the Santander International Festival or the Rico-Rodríguez Foundation.

Eduardo has made these activities compatible with his teaching work as a clarinet teacher and other subjects in different centers of Castilla-La Mancha and the Community of Madrid;

He is currently a professor of History of Music at the Conservatory of Music of Cartagena.

Source: Ayuntamiento de Cartagena

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